After five years, Rihanna returns to stage with a fierce performance for the Super Bowl’s Halftime Show.
P!nk Addresses Trust and Love on New Album, ‘TRUSTFALL’
P!ink’s ‘TRUSTFALL’ is a thematic album about learning how to trust and love through the ups and downs of life.
Paramore Shows its Age with New Album ‘This is Why’
Paramore’s ‘This is Why’ impresses with explosive highs through some songs but fails to provide anything exciting in others.
Tennis’ New Album Combines Genres, References Past Decades
Indie duo Tennis released a new album that experiments with instruments and airy vocals that create a unique sound.
Yo La Tengo Brings Shoegaze To Modern Listeners With ‘This Stupid World’
Yo La Tengo keeps shoegaze genre alive without sounding repetitive in this Stupid World.
Shania Twain Abandons Country for Generic Pop With “Queen of Me”
Best-selling female country artist Shania Twain releases “Queen of Me,” an album that is mostly repetitive and fails to live up to its name.
Taylor Swift’s “Lavender Haze” Excels in its Visuals, But Lacks Storytelling
Taylor Swift’s new music video for “Lavender Haze” is surrealist and aesthetically rich but lacks the storytelling of her previous work.
Somebody’s Child Brings Authenticity to Indie Rock in His Debut Album
Debuting band Somebody’s Child proves itself with a unique sound that blends a range of musical influences in its first self-titled album.
‘Blondshell’ Offers A Refreshing Take on Indie Rock at Paradise Rock Club
Blondshell’s performance at Paradise Rock Club offered a softer side of indie rock as an opening for Suki Waterhouse.
‘the record’ Reasserts Boygenius’ Foothold in the Sad Indie-Pop World
Boygenius releases ‘the record,’ a sad indie-pop album that merges the three female artists while flaunting their individual talent.