The ‘White Rose’ exhibit in the Theology and Ministry Atrium Gallery documents student resistance to Hitler in Munich through stunning testimonials and harrowing pictures.
Dance Ensemble’s costumed ‘Masquerade’ showcased its eclectic abilities through the uses of multiple dance stylings and deft footwork.
As we put away three meals or more a day, the ‘Food and Community’ exhibit on O’Neill’s third floor asks that we pause and look at the cultural importance of our place at the dinner table.
Dr. Mary Malloy offered an insightful lecture into religious art and architecture at her lecture in McMullen Museum.
Sometimes monsters are not born, but made. The ‘Minos’ exhibit on O’Neill Three explores the larger societal implications of stigmatization found in myth that are often far too real in our own world.
Channeling the past and present, BC’s Dance Ensemble taps into its rich past and contemporary talent as it prepares to make unique strides in its latest show ‘Masquerade.’
From Fauré’s ‘Piano Quartet’ to a slew of beautiful ensembles of French verse, the ‘Turn of the Century France’ performance brought together compelling elements from this dawn of a new cultural age.
Patrick Downes and his wife, Jessica Kensky, each lost a leg in the Marathon bombing in 2013.
The Boston College Irish Dance Club displayed dexterity, flexibility, rhythm and skill at Robsham Theater with their show ‘inTensity,’ commemorating the tenth anniversary of the dance team.
Daniel Neely discusses the gradual discovery and transition into an Irish ethno-centric style of music during the early 20th century in Boston.