Arts & Review

Paramore Struggles With A New Identity On Self-Titled Album

By: Brennan Carley

We live in a world populated by bands that exist as mere shells of their former selves. Guns N’ Roses is now the Axl Rose Experience, the Smashing Pumpkins essentially boils down to Billy Corgan and whoever isn’t pissing him off at the moment, and now, pop-punk early aught-staple Paramore is merely lead singer Hayley Williams with the help of the newly recruited Jeremy Davis and Taylor York.

Having hobbled along subsisting on one-off Twilight and Transformers soundtrack singles and the occasional award-show red carpet appearance, Paramore emerges relatively unscathed from its awkward transitional phase.

A$AP Rocky Ascends The Ranks On Debut ‘Long.Live.A$AP’

By: Brennan Carley

Much has been said about the state of New York hip-hop over the past decade, as Big Apple legacy acts like Nas and Jay-Z seem more interested in cashing in than creating iconic art. While Harlem based rapper A$AP Rocky doesn’t quite solve the problem on his debut album Long.Live.A$AP, he instead tilts the genre in a new direction, incorporating a world of styles that makes the disc more Times Square than Crown Heights.

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