In her new documentary ‘Faces Places,’ Agnès Varda explores humanity and the stories of various people from behind a camera.
‘Deep’ Settles on Shallow Knock-Off Status
‘Deep,’ a new children’s movie on Netflix, plumbs the depths of bad animation and poor plot.
‘My Friend Dahmer’ Presents Unsettling View of Eventual Serial Killer
‘My Friend Dahmer’ examines the adolescence of the prolific serial killer, Jeffrey Dahmer, and his experiences in high school.
Franco’s ‘Disaster Artist’ Hilariously Depicts Making of the Worst Movie Ever
Director and star of the film James Franco exhibits superb character development and endless humor, but leaves viewers underwhelmed at times.
‘The Shape of Water’ Highlights Aspects of Humanity, Breaks Preconceptions
‘The Shape of Water’ provides a realistic glimpse into 1960’s society and teeters between the mystical and the deeply, intrinsically human.
The Cinematic Year in Review
Editor Jacob Schick discusses the year in cinema, focusing on the good, the bad, and the somewhere in between in his last column of the year.
‘Daddy’s Home 2’ Sires Another Terrible Christmas Comedy
‘Daddy’s Home 2’ brings nothing to the table, aside from poor humor, bad dialogue, and the unfortunate casting of Mel Gibson.
Skeletal, Slapstick Humor Prevails in Heartwarming ‘Coco’
As a young boy chases his dreams of becoming a musician, ‘Coco’ honors Mexican culture and entertains audiences with a vibrant aesthetic.
‘The U-Turn’ Speaks Out on Immigrant Rights
The film compassionately tells the stories of the Postville, Iowa community of Guatemalan immigrants and their efforts to obtain justice and U-Visas.
‘Three Billboards’ Transforms Anger into Hope, Grief into Action
‘Three Billboards Outside Ebbing, Missouri’ analyzes police efficacy in a dark and comedic fashion.