Machine Gun Kelly falls short in ‘At My Best,’ Frank Ocean brands himself as strong as ‘Chanel,’ and Leo Kaylan definitely leaves listeners feeling right, this week in singles.
Pitbull’s ‘Options’ Is A Barely Salvageable Testament to Unwanted Pursuits
In an off-putting display of seduction, Pitbull’s latest music video for ‘Options’ attests that the artist is out of them as he puts on an uncomfortable mix of antiquated swagger and reggae.
After Hiatus, Chappelle Graces Eager Fans With Two Specials
Finally, after close to two decades Chappelle fans can subsist on more than recycled material as the comedy legend releases two specials on Netflix.
A Desperate Plea for Quality Cinema
Assoc. Arts Editor Jacob Schick sends out a prayer and tentatively hopes for a rise in movie quality.
Drake Signals for Genuine Quest for Authenticity in ‘More Life’
In an album that could be considered one long song, Drake seems to embark on directions distinct from the rest of his career with features from a variety of artists in ‘More Life.’
‘The Grand Budapest Hotel’ as a Charming Reminder of Civility
Asst. Arts Editor Isabella Dow discusses the compelling merits of social decorum through the lens of ‘The Grand Budapest Hotel.’
‘White Rose’ Exhibit Seeks to Inspire, Embolden Through the Medium of History
The ‘White Rose’ exhibit in the Theology and Ministry Atrium Gallery documents student resistance to Hitler in Munich through stunning testimonials and harrowing pictures.
Just Like Krzyzewski, Men’s Hockey Will Bounce Back
Just like Mike Krzyzewski and Duke men’s basketball, Jerry York and BC men’s hockey will bounce right back to winning ways next year after a disappointingly early end to the 2016-17 season.
Housing Process Hell: TU/TD
Upperclassmen warned us. The signs were in the stars: 25 percent of freshmen live on CoRo.
Being a Blind Art Dealer
“Peele is using the very hype surrounding his socially conscious movie that attracts supposedly #woke people like me to turn our leering gaze back on ourselves, exposing the racism inherent in our incessant quest to appear not racist by endlessly consuming black media.”