By: Harry Mitchell
Directors Anthony and Joe Russo successfully balance superhero genre elements with more realistic ones in Marvel’s Captain America sequel.
YG’s Krazy Life offers listeners a look into the rapper’s past, but is inconsistent, leaving few lasting impressions.
Frank Ocean’s “Hero,” Coldplay’s “Magic,” and Vince Staples’ “Nate”
By: Harry Mitchell
YG’s Krazy Life offers listeners a look into the rapper’s past, but is inconsistent, leaving few lasting impressions.
By: Harry Mitchell
Ross raps about his usual themes of wealth and drugs on Mastermind, resulting in an album without originality.
By: Harry Mitchell
Jammin’ Toast, Against the Current, Sharps, Heightsmen, and Dynamics held a charity concert for Camp AmeriKids, a non-profit organization aimed at enhancing the lives of kids living with HIV/AIDS and sickle cell anemia.
By: Harry Mitchell
Fading West is a consistent, albeit slight, album that forgoes the doom and gloom of some of Switchfoot’s more recent works, but ultimately, doesn’t have much to show for itself.
R. Kelly’s latest release, Black Panties, lacks variety and depth, with an overly sexual and repetitive track list.
