By: John Wiley
After appearing in last semester’s production of Three Sisters, Maggie Kearnan, A&S ’14, is making her directorial debut with The Circle Mirror Transformation in two weeks.
John Wiley was the Editor-in-Chief of The Heights in 2015. Follow him on Twitter @johnjaywiley.
By: John Wiley
After appearing in last semester’s production of Three Sisters, Maggie Kearnan, A&S ’14, is making her directorial debut with The Circle Mirror Transformation in two weeks.
By: John Wiley, Ariana Igneri, Michelle Tomassi
The Scene remembers the five best and five worst acts in the history of the Super Bowl.
By: John Wiley
Cities Aviv’s debut album Come to Life pays tribute to Kanye West, while exploring new possibilities in the rap genre.
By: John Wiley
There’s clear danger in reducing a man’s life to a metaphor, but Pete Seeger’s story is all the more compelling to me when I remember him as a stranger along the Hudson.
By: John Wiley
BC Professor Karl Baden explores the many faces of photography in The Wheels Project on display in Waltham, MA.
By: John Wiley
The Aerie Real campaign marks a shift in retail practices away from exclusionary standards. Women’s magazines and other institutions of high fashion, however, are unlikely to adopt the inclusive attitudes of retailers.
By: John Wiley
Brothers and Sisters by folk artist Damien Jurado is a dicey, poetic work, broadly inaccessible, but rewarding for those open to its strangeness.
By: John Wiley
In the Internet era, the “award show” is an outdated institution.