By: John Wiley
UGBC’s decision to section off concert-planning activities felt reasonable enough, at least looking through a lens narrowly limited last semester’s failures, but there are real concerns in the handing over of responsibilities.
John Wiley was the Editor-in-Chief of The Heights in 2015. Follow him on Twitter @johnjaywiley.
By: John Wiley
UGBC’s decision to section off concert-planning activities felt reasonable enough, at least looking through a lens narrowly limited last semester’s failures, but there are real concerns in the handing over of responsibilities.
By: John Wiley
Mac DeMarco’s Salad Days shows off a mature side of the eccentric Canadian performer that can go unnoticed live.
By: John Wiley, Ariana Igneri, and Michelle Tomassi
Before stepping onto the O’Connell stage for their last ‘Big Show’ this weekend, the three senior Fleabaggers reflect on the past four years with the improv group.
By: John Wiley
Boston College celebrated the Hindu festival of Holi at Seminary Field on Saturday, welcoming spring with a mix of colorful powders, electronic music, and water guns.
Following Monday’s release of “A Different Gravity,” Seaver’s Express performed its new single live in Mary House on Newton Campus for the first installment of The Scene Sessions video series. After the departure of lead singer Jacob Monk, CSOM ’16, last semester, Brian Seaver—22-year-old brother of guitarist Sean Seaver, A&S ’16—took over as frontman. Vocalist…
The Scene sits down with Seaver’s Express to discuss the making and re-making of the band, and how it fits into the music scene at Boston College.
By: John Wiley
Sophomores Max Prio and Billy Foshay launch film company focusing on promotional videos for BC clubs.
By: John Wiley
Why do artists distrust businesses? Why do business often undervalue creative work? It’s an odd partnership, business and art, but it might just be what students in the Carroll School and Arts & Sciences need.
By: John Wiley
This weekend’s sold-out Bonn show ‘For Colored Girls Who Have Considered Suicide When The Rainbow Is Enuf’ explores issues of black female identity.
The closing of the Spring Student Art Show last Thursday in the basement of Bapst Library has left the gallery empty, and potentially, closed for good. A short walk through the University’s academic areas gives an unflattering perspective on Boston College’s treatment of student work in its recent expansion.