B.E.A.T.S. isn’t just about performing—it’s about showing up for each other. Music may be what brought them together, but it is the community that keeps them going.
Tate McRae Steps Back Into the Spotlight With ‘So Close To What’
The Canadian singer delivered a 15-track EP that blends an “I-am-her” mentality with lover-girl vulnerability, sidestepping the typical love songs that dominate the Valentine’s Day season.
Our Valentine to You: The Arts Editors’ Playlist for Love
Whether you’re looking to be heartwarmed or heartbroken, check out our picks—consider it our valentine to you!
‘Young, Gifted, & Black’: B.E.A.T.S. Brings Black History to BHM Showcase
With every song, the audience’s cheers of “queen,” “wow,” and “You go [name]” made it clear—the night was nothing short of a success.
Songs of the Season: Arts Makes a ‘Heights’ Holiday Playlist
To kindle the holiday spirit, The Heights’ former and current arts editors have banded together to create a playlist full of our favorite holiday tunes.
‘A Nonsense Christmas with Sabrina Carpenter’ is the Holiday Entertainment We All Need
If you’re thinking a red-and-green performance is all you’re getting from the newcomer pop star, you’re in for a treat. Packed with hilarious skits and dialogue, you’ll find yourself ho-ho-ho-ing while sitting on your couch.
Netflix’s ‘Return of the King’ Explores Elvis Presley’s Struggle to Remain Relevant
To portray Presley’s life through a realistic approach, Netflix released ‘Return of the King: The Fall and Rise of Elvis Presley.’
Is ‘Songs of a Lost World’ the Cure’s Farewell to the Music Scene?
If this is indeed the Cure’s last album, Songs of a Lost World stands as a powerful final statement, encapsulating its legacy with depth and haunting beauty.
Boston Ballet’s 61st Season: ‘The Fall Experience’
Billed as “a dazzling and dynamic program that you won’t forget,” Boston Ballet premiered its first of many performances of a new piece, The Fall Experience, at the Citizens Opera House this week.
‘Joker: Folie à Deux’ Disappoints Despite High Expectations
Unlike Joker (2019), Phillips’ latest film lacks the “it” factor that pulls the audience into the dark universe of the antihero.