In the intimate confines of Boston College’s Bonn Studio Theater, Evgeny Ibragimov raised a walnut baton adorned with hazelnut sprigs, and the room fell silent. Known also as Shaoukh Ibragim, he stands as a living bridge between two worlds: the ancient traditions of the Circassian people and modern academic halls in New England.
Beneath its glossy exterior, this latest installment reveals a surprising depth, offering viewers more than just escapist fare.
In Boston College’s Burns Library, Irish filmmaker Joe Comerford’s 1988 film Reefer and the Model found a fitting home for its American revival.
Italian director Luca Guadagnino delivered an artful masterpiece about athletic and romantic entanglements with Challengers, released on April 26.
Hozier releases his fifth EP, including four previously unreleased songs.
This year’s performance, titled “Fever,” was a celebration of the teams’ infectious passion and commitment.
Angus Williams, singer-songwriter and MCAS ’25, assembled a strong combination of artistic conversation and performance pieces in celebration of Black History Month this past Thursday evening. Living in Color showcased poetry, dance, gospel, and jazz music through which performers explored tensions within and outside of the Black community. Williams, also known by his stage name…
Poetry transcends individual identity and serves as a vessel for greater meaning, according to Joy Harjo.
Glover’s interpretation is less of a sinuous spy thriller with explosive chemistry, but rather an awkward romance between two CIA rejects.
Barjeel Art Foundation founder and curator both describe the intricacies of finding artwork and collecting pieces in their work to highlight cultural creations.
