The presentation, cosponsored by the Boston College theology department, demonstrated Ward’s facility for bridging systematic theology with contemporary pastoral concerns, offering valuable insights for theological anthropology in an age of increasing secular isolation.
While the album’s themes of mortality might suggest a somber listening experience, Circa Waves manages to transform these heavy subjects into something life-affirming and occasionally even jubilant.
In reimagining her catalog with such ambition and grace, Lipa has created more than just a live album—she’s made a compelling argument for pop music’s place in the grand traditions of musical performance.
On Wednesday night, the Lowell Humanities Series at Boston College welcomed a storyteller who has danced with octopi and been chased by silverback gorillas.
In the intimate confines of Boston College’s Bonn Studio Theater, Evgeny Ibragimov raised a walnut baton adorned with hazelnut sprigs, and the room fell silent. Known also as Shaoukh Ibragim, he stands as a living bridge between two worlds: the ancient traditions of the Circassian people and modern academic halls in New England.
Beneath its glossy exterior, this latest installment reveals a surprising depth, offering viewers more than just escapist fare.
In Boston College’s Burns Library, Irish filmmaker Joe Comerford’s 1988 film Reefer and the Model found a fitting home for its American revival.
Italian director Luca Guadagnino delivered an artful masterpiece about athletic and romantic entanglements with Challengers, released on April 26.
Hozier releases his fifth EP, including four previously unreleased songs.
This year’s performance, titled “Fever,” was a celebration of the teams’ infectious passion and commitment.
