Milo Priddle (he/him) is the Assistant Arts Editor for The Heights. He is from Manhattan, N.Y. You can contact him at milo.priddle@bcheights.com.
Regardless of how you end up in theater, wholeheartedly committing to it is a necessity, according to Florestal. She described how you sometimes have to balance multiple jobs, potentially outside of the arts, to support yourself while working toward a greater goal.
A great biopic manages to find a balance between these elements, upholding entertainment value while maintaining a complete and honest story. For the timespan that A Complete Unknown covers, it walks this line deftly.
To kindle the holiday spirit, The Heights’ former and current arts editors have banded together to create a playlist full of our favorite holiday tunes.
Despite the excitement for Glory and Gore, the film did not hold up to be much more than its enticing TikTok-friendly aesthetic. The background of the film’s plot is alluded to ineffectively, often feeling theatrical and ingenuine.
The event began at 6 p.m., and attendees were encouraged to explore different cultures through interaction with foreign food, music, and art.
Devlin Hall welcomed Spanish poet Paloma Chen on Tuesday for a bilingual poetry reading and an open discussion on culture.
The play, written by David Lindsay-Abaire and directed by William Bollbach, MCAS ’27, was a visceral display of grief and its innate complexities.
Gasson Hall erupted with thunderous applause as Asinine Sketch and Improv Comedy took the floor on Thursday, Oct. 10 for its fall showcase.
WNDR Boston flips the typical museum experience on its head, encouraging the viewer to direct the art with an inclusive and immersive space.
Written and directed by Michele Avery and Yvette Modestin of ReRooted, Crown of Times debuted on Sept. 20 at Robsham Theater, enthralling its audience with a dialogue on the history of Black hairstyles in America.
