The ‘Monsters’ anthology is Netflix’s depiction of American murders. True-crime shows are “in” now, so how did the ‘Monsters’ shows go wrong?
Beabadoobee Returns to Boston With Edge and Grit
Three drum beats and a sudden energetic guitar riff kickstarted the This Is How Tomorrow Moves concert, strikingly introducing indie artist beabadoobee at MGM Music Hall on Friday.
Vathanakul: Streaming Has Changed the Way We Perceive Documentaries
From true crime to musician biopics, Tarisa Vathanakul analyzes the impact of streaming services like Netflix on the documentary genre.
Vathanakul: Who’s Excited for the 2024 Oscars?
The excitement begins as the 96th Academy Awards, hosted by Jimmy Kimmel for the fourth time, will air on March 10 at 7 p.m. on ABC.
Sexual Chocolate’s ‘The Big Show: Total Chocolate Island’ Runs Wild
The all-male team celebrated with a quirky theme: “Total Chocolate Island,” complementing its dancing with comical acting and unique skits.
‘The Boy and The Heron’ Deals With Life and Despair in a Beautiful, Magical World
After nine years without a Studio Ghibli movie to astonish the world of animation, ‘The Boy and the Heron’ returned to take audiences’ breath away.
In American Horror Story: Delicate, The Future is The Ultimate Fear
American Horror Story’s new season shows the terrors of motherhood and fertilty.
Arts Walk Displays the Essence of Student Art on Campus
The Arts Walk displays across campus featured student artists’ work across many different mediums.
Blondshell Touches On Mental Illness and Identity Crisis in Debut Album
Blondshell poured out her heart and soul into her debut self-titled album, ‘Blondshell,’ which was released on April 7.
Gorillaz’s ‘Cracker Island’ Adds a Sense of Tranquility to the Alternative Indie Genre
‘Cracker Island’ has a soothing air that differentiates it from the rest of Gorillaz’s alt indie albums.