‘Holy City’ is a collection of art that is intended to bring healing and support to the community affected by the Charleston church massacre.
Plexapalooza Opener SVRGE Speaks on DJ Process
Sergio Farina, CSOM ’20, discusses how his DJ career as SVRGE has prepared him for an electric opening for Cheat Codes at Plexapalooza.
‘No Exit’ Cast and Crew Speak on Production
The Boston College Theatre Department brings wretched souls to life in their production of Jean-Paul Sartre’s ‘No Exit,’ a play that magnifies the most despicable qualities of man in an abstract version of hell.
Trying Out the Spotlight with ‘Stop Kiss’
The Heights speaks with student director Taylor Tranfaglia, MCAS ’18, about her play ‘Stop Kiss’ and the audition process as a whole.
A Lifetime of Music: John Finney Speaks on Dual Positions
John Finney speaks about his roles as director of the University Chorale and conductor of the Symphony Orchestra after 25 years at Boston College.
‘Cherry Orchard’ Seniors Speak About Their Journeys in Theatre
Samuela Nematchoua, Noelle Scarlett, and Andrew Meck, three seniors in ‘Cherry Orchard’, sit down with The Heights to discuss their theatrical journeys.
‘The Laughing Medusa’ Empowers Women’s Voices in Art
From publishing a vibrant physical journal to staging poetry readings for a personal presentation of artwork, ‘The Laughing Medusa’ is gaining a wider campus audience.
Mark Cooper Named 2017 Fellow in Sculpture
Faculty member Mark Cooper was awarded based on his extensive sculpture exhibit work spanning the globe from Beijing to Boston and beyond.
Directors Craft the Sinister Uncanny in ‘Venus in Fur’
Bringing ‘Venus in Fur’ to life, directors Michael Quinn and Lena Hymel make subtle use of supernatural influences to challenge misogyny.
Performance Groups Feel Pressure When Searching for Space to Practice
Dance teams and a cappella organizations struggle to find sufficient and adequate practice space on Boston College’s campus.