Associate Arts Editor Emily Himes bids a fond farewell to ‘The Heights.’
Ramirez: For Two Years, The Proof was in the Print
Arts Editor Kaylie Ramirez reflects on the tracks that defined her four years at BC—from the upbeat clamor of Modest Mouse’s “Float On” to the melancholic whisper of The Smiths’ “I Know It’s Over.”
Ramirez: A Brief Inquiry Into The Classics
Arts Editor Kaylie Ramirez reflects on her only 5-star review for ‘The Heights’ and what it means for an album to be considered ‘classic.’
Himes: Striking the Right Note: Four Albums That Will Stick Around
Associate Arts Editor Emily Himes reflects on her favorite albums that have been released since she joined ‘The Heights.’
Ran: Capitalism’s Latest Casualty
Assistant Arts Editor Jillian Ran discusses the impact that gentrification has had on Seattle’s arts scene.
Ran: Sonic Sexism
Assistant Arts Editor Jillian Ran discusses the double standards that female musicians face when it comes to their voices.
Himes: Last Chance to Be Loud
Associate Arts Editor Emily Himes describes her lifelong connection to ‘Abbey Road.’
Ramirez: Music Lovers Beware: Live Nation Eyes Monopoly
Arts editor Kaylie Ramirez writes that it is risky for artists and venues to rely on Live Nation and Ticketmaster to provide concert-goers with fair access in the wake of accusations of anti-competitive behavior.
Ran: The Magic of Movie Montages
The montage: a cheesy cliché or a classic cinema tradition? Assistant Arts Editor Jillian Ran explores this ubiquitous storytelling technique.
Himes: For Crying Out Loud
Associate Arts Editor Emily Himes discusses why music can make us cry and give us goosebumps even if we don’t care about the lyrics.