Directed by Alan Yang of ‘Master of None,’ ‘Tigertail’ is hampered by an unwillingness to scratch the surface of the deeper issues surrounding the immigrant experience in America.
‘Blow the Man Down’ Uncovers a Town’s Fishy Underbelly
‘Blow a Man Down’ introduces new filmmaking voices against the backdrop of New England squalls and suspicion.
‘Selah and The Spades’ Picks Apart High School Hierarchies
In her film debut, writer and director Tayarisha Poe imagines an elite boarding school run by a system of cliques—but ‘Selah and The Spades’ is much more than a kitschy teen drama.
Apple Falls Behind In Streaming Wars With ‘The Banker’
‘The Banker’ is more concerned with driving home a political message than telling a story.
With ‘Bloodshot,’ Valiant Comics Reinvents The Superhero
Vin Diesel stars in the first adaptation from Valiant Comics to hit the big screen.
Director, Star of ‘Emma’ Discuss Film at Coolidge Corner
Following an advanced screening of ‘Emma,’ director Autumn de Wilde and actress Anya Taylor-Joy answered audience questions about the film’s creation.
DiPatri: What Makes a Movie Great?
Photo editor Maggie DiPatri tackles the great movie debate on acclaimed versus entertaining movies.
Overstuffed Script Salvaged by Superb Acting in ‘The Photograph’
Stella Meghie’s ‘The Photograph’ is a refreshing departure from tired conventions of the romantic movie genre.
‘Who Killed Malcolm X’ Investigates Unsolved Assassination
‘Who Killed Malcolm X?’ is a gripping investigation of the civil rights leader’s unsolved murder.
Netflix’s ‘Horse Girl’ Turns Obsession into a Dark Tale
Alison Brie stars in Netflix’s ‘Horse Girl’ as an unraveling character who spirals further from a grasp on reality.