Especially relevant with the recent coronavirus outbreak, ‘Pandemic’ chronicles the often rapid and unpredictable spread of influenza.
‘Color Out of Space’ is Stellar Example of Cosmic Horror
Chaos strikes in ‘Color Out of Space’ when a meteorite carrying aliens lands on a family’s farm.
Rhind: The Artistic Integrity of Ethan Hawke
Assistant arts editor Nathan Rhind highlights the creative integrity Ethan Hawke has shown throughout his career.
Adam Sandler Displays New Facet in ‘Uncut Gems’
The thrilling ‘Uncut Gems’ proves that Adam Sandler is just as adept at drama as he is at goofy slapstick comedy.
Coldplay Appeals for Peace on ‘Everyday Life’
Coldplay takes a shot at world peace on their experimental new album ‘Everyday Life.’
With Dazzling Animation, ‘Klaus’ Raises Bar for Netflix Holiday Films
Netflix’s ‘Klaus’ traces the origin story of Santa Claus with dazzling animation and elevated re-writing of timeless Christmas tropes.
‘Terminator’ Faces Unfortunate Fate in Latest Installment
‘Terminator: Dark Fate’ uses a lot of well-done CGI, but disappoints on the whole.
‘Harriet’ Aptly Depicts Nuanced Courage of Tubman
Cynthia Ervio and Leslie Odom Jr. provide the emotional heart of ‘Harriet,’ a biopic that reinforces the legacy of Harriet Tubman.
‘Women’s Driving School’ Documents Saudi Arabian Political Developments
‘Saudi Women’s Driving School’ follows Saudi Arabian women as they exercise their newfound right to drive in the Middle Eastern country.
‘Maleficient: Mistress of Evil’ Ramps up the Clichés
‘Maleficent: Mistress of Evil’ is only the latest in a series of shameless cash grabs by big movie studios.