The cast of ‘Mid90s’ sat down to discuss Jonah Hill’s directing debut about skating culture in the ’90s.
Arts, Movies, Review
Emotional Complexity and Suffering Pierce ‘The Happy Prince’
‘The Happy Prince’ presents complex insights into the life of Oscar Wilde.
Arts, Review, Movies
’22 July’ Shocks Viewers with Dismal Tale of Terrorist Attacks
Dark, dreary, and violent, ’22 July’ leaves the audience devastated by the story of Norway’s worst terrorist attack.
Arts, Movies, Review
Chazelle, Gosling Make Leaps for Space Genre in ‘First Man’
‘First Man’ details Neil Armstrong’s larger than life Apollo 11 mission to the moon with touching realism and a starry performance from Ryan Gosling.
Arts, Movies, Review
Goddard’s ‘Bad Times at the El Royale’ Delights with Tarantino Grit
‘Bad Times at the El Royale’ positions itself as a box office anomaly: a deliciously indie flick with Tarantino grit that is palatable for the masses.
Review, Movies, Arts
Within Melancholia, ‘A Star Is Born’ Shines Bright
‘A Star Is Born’ is a perfect and fundamentally upsetting movie starring Bradley Cooper and Lady Gaga, in a refreshing new version of the old story.
Arts, Movies, Review
‘Venom’ Injects Audiences With Disappointment
The newest comic book vehicle, ‘Venom,’ is a good movie, right up until it isn’t, resulting in disappointment for audiences and fans.
Arts, Movies, Review
‘The Sisters Brothers’ Negotiates Idealism and Cynicism of the Old West
‘The Sisters Brothers’ presents a dark and inelegant portrayal of the Old West, but it does offer an intriguing story to pull audiences in.
Arts, Movies, Review
‘Private Life’ Debuts With an Open Heart
Netflix’s new movie, ‘Private Life,’ is a compelling and passionate drama that touches the hearts and emotions of audiences.
Arts, Movies, Column
Inanimate Animated Movies
Arts editor Jacob Schick takes a hard look at animated movies and discusses the reasons why animated movies shouldn’t be mediocre.
