Best-selling female country artist Shania Twain releases “Queen of Me,” an album that is mostly repetitive and fails to live up to its name.
Taylor Swift’s “Lavender Haze” Excels in its Visuals, But Lacks Storytelling
Taylor Swift’s new music video for “Lavender Haze” is surrealist and aesthetically rich but lacks the storytelling of her previous work.
Somebody’s Child Brings Authenticity to Indie Rock in His Debut Album
Debuting band Somebody’s Child proves itself with a unique sound that blends a range of musical influences in its first self-titled album.
‘Blondshell’ Offers A Refreshing Take on Indie Rock at Paradise Rock Club
Blondshell’s performance at Paradise Rock Club offered a softer side of indie rock as an opening for Suki Waterhouse.
‘the record’ Reasserts Boygenius’ Foothold in the Sad Indie-Pop World
Boygenius releases ‘the record,’ a sad indie-pop album that merges the three female artists while flaunting their individual talent.
‘Five Easy Hot Dogs’ Strays from Demarco’s Usual Indie Pop In Favor of Instrumentals
‘Five Easy Hot Dogs’ falls flat in many places, coming up short of the standard set by DeMarco other minimalist projects.
Metro Boomin Reasserts His Dominance in Hip-Hop With New Album
Metro Boomin provides a collection of layered beats on his new album, making its entertaining quality compensate for its lack of meaning.
‘Voyeur’ Foreshadows a Promising Future for Trophy Wife
Trophy Wife’s EP ‘Voyeur’ capitalizes on her rock star vocal range but falters where she sounds like she is pretending to be another singer.
Tomlinson Continues His Struggle to Find a Unique Sound on ‘Faith In The Future’
Louis Tomlinson continues to struggle in finding his own sound and path in the music industry on his second album ‘Faith in the Future.’
‘Armageddon Time’ Squanders Opportunities, Failing to Navigate the Sensitivity of Identity Politics
‘Armageddon Time’ drops the ball on adding value to today’s discourse amidst a resurgence of antisemitism in the media.