The main dance floor had mostly emptied out by midnight, but on the other end of the Boston Sheraton, Juice was packing in the crowd for a third encore.
DeLonge’s First Solo Album Fails To Reach For ‘The Stars…’
Blink-182 fans may appreciate DeLonge’s pop-punk, b-side album, but few others will genuinely enjoy it.
Lambert’s ‘Ghost Town’ Abandons A Promising Premise For Flair
The ‘American Idol’ runner-up puts out a video that focuses on style rather than substance.
William Bolton’s Confidant “On My Mind,” Mumford & Sons’ ‘Snake Eyes,’ And More Singles This Week
Mumford & Sons experiments with its sound with “Snake Eyes,” Allen Stone has great “Upside,” and our own William Bolton readies for summer.
Alabama Shakes’ Sophomore Effort Is An Experimentation in ‘Sound & Color’
Alabama Shakes makes a bold statement that loosens without shedding the fetters of the old-time rock sound that once anchored them so tightly to the past.
Alamba Shakes “Don’t Wanna Fight,” Saltwater Sun, And More Singles This Week
Alabama Shakes’ “Don’t Wanna Fight” speaks to the band’s Memphis roots, Saltwater Suns’ first single impresses and Findlay’s “Wolfback” is a dark treat.
Passenger Paints Broad Strokes Of Europe In New Video
Passenger’s ‘Catch In The Dark’ video captivates audiences with its scenic sights but falls short on content and coherence.
Speedy Ortiz Blends ’90s Grunge And Abstract Lyricism In ‘Foil Deer’
Speedy Ortiz sticks to its alternative rock roots, while wielding powerful wordplay in sophomore album, ‘Foil Deer.’
Tyler, The Creator Drops ‘Cherry Bomb’
Tyler’s third studio effort is a layered, abrasive, insightful, earnest, audacious, and well-produced collection of rap.
‘Us Kids’ Is A Bold, Psychedelic Step Ahead For Small Talk
Small Talk emerges from Lyon’s studio with ‘Us Kids,’ an EP that moves the band forward with an immersive production of trippy grooves.