By: Harry Mitchell
YG’s Krazy Life offers listeners a look into the rapper’s past, but is inconsistent, leaving few lasting impressions.
By: Harry Mitchell
Ross raps about his usual themes of wealth and drugs on Mastermind, resulting in an album without originality.
By: John Wiley
Lift Your Spirit overshadows Aloe Blacc’s impressive vocals with excessive manipulation and studio-produced sounds.
By: Ryan Dowd
Despite three solid performances, Future’s video for “Move That Dope” suffers from a lack of ownership.
Kanye West announced that James Blake, a British electronic musician with only two LP releases, is his “favorite artist” currently performing, offering to collaborate with Blake on his next album.
By: Matt Mazzari
Kanye West announced that James Blake, a British electronic musician with only two LP releases, is his “favorite artist” currently performing, offering to collaborate with Blake on his next album.
By: Phoebe Fico
‘Morning Phase’ ends up in the same place as it starts-both musically and lyrically-but the album never feels stale, as new elements are added to each song.
By: Luiza Justus
The brand-new addition to Katy Perry’s collection of colorful, whimsical, and flamboyant music videos is up to par with the others, and then some.
By: Ryan Dowd
For the surprise release Satellite Flight: The Journey to Mother Moon, the vibe is there, but the content is somewhat lacking. Regardless, Satellite Flight is still a bridge, and it’s hard evaluating a bridge when one doesn’t really know where that bridge is heading.
By: Ryan Dowd
“Addicted to You” has a catchy tune and stunning visuals, with aesthetic and thematic contrasts, but still feels a bit rushed.
