By: Ryan Dowd
Above and Beyond convincingly trades in its usual techno dance style for a stripped-down one on Acoustic.
By: Ryan Dowd
Above and Beyond convincingly trades in its usual techno dance style for a stripped-down one on Acoustic.
By: John Wiley
Cities Aviv’s debut album Come to Life pays tribute to Kanye West, while exploring new possibilities in the rap genre.
By: Ariana Igneri
Vocal powerhouse Mary J. Blige joins Euro pop duo Disclosure on its second music video for “F For You,” off its Grammy-nominated debut album Settle.
By: Matt Mazzari
The television and music industries have reached a point at which the mediums are almost as one.
By: John Wiley
Brothers and Sisters by folk artist Damien Jurado is a dicey, poetic work, broadly inaccessible, but rewarding for those open to its strangeness.
By: Magdalena Lachowicz
While Young The Giant’s more radio-friendly sound is appealing on Mind Over Matter, it’s also average and formulaic.
By: Dan Lyle
Despite its strong single ‘Say Something,’ A Great Big World’s Is There Anybody Out There? is predictable and childish in its sound.
By: Ryan Dowd
Eric Church’s video for “Give Me Back My Hometown” is dark and confusing, but unlike the music of his frolicking Florida Georgia Line counterparts, it’s confusing in a lot of the right ways.
R. Kelly’s latest release, Black Panties, lacks variety and depth, with an overly sexual and repetitive track list.
The few songs on Britney Jean that reflect the iconic eras of Spears’ career are not enough to salvage the album.