Never one to rest on his laurels, Thundercat is back with ‘It Is What It Is,’ another ambitious jazz-funk fusion project.
Arts, Music, Review
Dua Lipa’s ‘Future Nostalgia’ is Pop’s Galactic Destiny
Dua Lipa’s ‘Future Nostalgia’ shakes up the pop genre with 80s synth pop songs that harness themes of love and heartbreak.
Review, Music, Arts
The Weeknd Falls Victim to Old Habits on ‘After Hours’
The Weeknd’s highly anticipated fourth album delivers lukewarm lyrics and a propensity for melodrama.
Arts, Music, Review
Childish Gambino’s Experimental ‘3.15.20.’ Is a Success
Donald Glover returns as his alter ego Childish Gambino on ‘3.15.20.,’ bringing a whole host of new sounds and styles with him.
Arts, Music, Review
Grouplove’s ‘Healer’ Quells Quarantine Blues
‘Healer’ by Grouplove features upbeat alternative pop anthems that will leave indie diehards and newcomers equally satisfied.
Arts, Music, Off Campus
Eric Nam Charms Crowd at Royale Concert
Boston College alumnus and K-pop star Eric Nam displayed his trademark sense of humor and flawless technique during a stop in Boston.
Arts, Music, Review
The Weeknd Laments Over Past Love and More in Singles
The Weeknd croons over past love on new single “After Hours,” and The Strokes and The 1975 return with new singles.
Review, Music, Arts
Grimes Delivers Melancholy Warning on ‘Miss Anthropocene’
‘Miss Anthropocene’ sees Grimes spill her darkest emotions over electronic instrumentals.
Review, Music, Arts
King Krule’s ‘Man Alive!’ is Isolation Incarnate
‘Man Alive!’ is a brilliant collage of genre and sound and a strong piece of experimentation by King Krule.
Arts, Music
iEdit: The Music Between Lonnquist’s Beats Headphones
Copy chief Haley Hockin examines the music behind assistant magazine editor Anna Lonnquists’ headphones.
