Boston College’s music department showed off its pipes during the Halloween-themed “Liederabend: All Hallow’s Eve” concert.
Arts, On Campus
BC’s Chorale Fall Concert Explores the Meaning of Home
Through a diverse selection of songs, Chorale explored the theme of home—whether as a physical place, a sense of belonging, or a spiritual exploration.
Arts, Music
Peach Pit’s ‘Magpie’ Adds a New Complexity to Indie Pop
Peach Pit puts a slight spin on the classic sound of alternative music in their newest release Magpie, released on Oct. 25.
Arts, Music
Megan Thee Stallion’s ‘MEGAN: ACT II’ is a Victory Lap
Fresh off the release of her third studio album MEGAN in June, Megan Thee Stallion returns with the album’s deluxe version, MEGAN: ACT II, to reinforce her lyrical prowess and space in the rap industry.
Television, Arts
Blast to the Past: Disney Airs Reboot of Beloved Classic With ‘Wizards Beyond Waverly Place’
Disney Channel’s reboot, ‘Wizards Beyond Waverly Place,’ offers fans a glimpse into the beloved characters’ lives as adults.
Column, Arts
Dunleavy: A Definitive Ranking of the ‘Taylor’s Versions’
To celebrate the first year anniversary of 1989 (Taylor’s Version), Kaylee Dunleavy ranks all of Swift’s re-recorded albums released thus far.
Arts, On Campus
BC A Cappella Groups Unite in Fall Showcase
On Saturday, Nov. 2, the Robsham Theater Arts Center welcomed five of Boston College’s a cappella groups to its stage for the fall A Cappella Showcase.
Arts, Music
Is ‘Songs of a Lost World’ the Cure’s Farewell to the Music Scene?
If this is indeed the Cure’s last album, Songs of a Lost World stands as a powerful final statement, encapsulating its legacy with depth and haunting beauty.
Arts, Off Campus
Little Big Town’s ‘Take Me Home’ Tour Beautifully Showcases the Band’s History and Bond
More than a year after performing at Boston College’s Pops on the Heights, Little Big Town brought their Take Me Home Tour to TD Garden for a spectacular Halloween show.
Arts, On Campus
‘Rabbit Hole’ Shows The Many Ways To Process Grief
The play, written by David Lindsay-Abaire and directed by William Bollbach, MCAS ’27, was a visceral display of grief and its innate complexities.
