Ken Jeong spends more time flaunting his wealth than his marriage in his new Valentines Day Netflix special.
Convoluted Storyline Bogs Down ‘Happy Death Day 2U’
The second installment of Happy Death Day offers little more than horror clichés and gimmicky plot twists.
Raunchy Humor Falls Flat in ‘The Breaker Upperers’
Unlikable characters and tasteless humor ruin the promising, female-directed romcom ‘The Breaker Upperers.’
‘Everybody Knows’ Comes Across as a Soapy Thriller
‘Everybody Knows’ falls short of the rest of acclaimed Iranian director Asghar Farhadi’s films.
‘Lorena’ Fails to Answer Key Questions about Bobbitt Case
‘Lorena’ has some powerful moments but fails to portray the breadth and depth of sexual assault.
‘Dinner and Diatribes,’ ‘Please Me,’ and More in New Singles
Hozier, Cardi B and Bruno Mars, and Years & Years and MNEK all released new singles this week.
Offset Shows Depth, Emotion in ‘Red Room’ Video
In his new music video for “Red Room,” Offset shows his emotional side through contemplative scenes.
FGL Overstays Welcome in ‘Can’t Say I Ain’t Country’
Florida Georgia Line continues its corruption of country with an atrocious new album.
Pacing Causes Attention to Wane in ‘Never Look Away’
Disney’s ‘Never Look Away’ struggles to hold viewers’ attention for its full three hour run time but brings new insight into post-WWII Germany.
Sports Drama ‘High Flying Bird’ Confronts Capitalist Extortion
‘High Flying Bird’ focuses on the behind-the-scenes aspect of the game.