‘Bad Times at the El Royale’ positions itself as a box office anomaly: a deliciously indie flick with Tarantino grit that is palatable for the masses.
Within Melancholia, ‘A Star Is Born’ Shines Bright
‘A Star Is Born’ is a perfect and fundamentally upsetting movie starring Bradley Cooper and Lady Gaga, in a refreshing new version of the old story.
‘Venom’ Injects Audiences With Disappointment
The newest comic book vehicle, ‘Venom,’ is a good movie, right up until it isn’t, resulting in disappointment for audiences and fans.
‘The Sisters Brothers’ Negotiates Idealism and Cynicism of the Old West
‘The Sisters Brothers’ presents a dark and inelegant portrayal of the Old West, but it does offer an intriguing story to pull audiences in.
Country Outlaw Transcends Sonic Categorization on ‘Desperate Man’
Eric Church continues to defy country music stereotypes and standards with his new and high-quality album, ‘Desperate Man.’
‘The Neighborhood,’ Throws House Warming Premiere
CBS’s ‘The Neighborhood’ arrives in the area, seeking to analyze and joke about race relations in black suburbia.
‘Private Life’ Debuts With an Open Heart
Netflix’s new movie, ‘Private Life,’ is a compelling and passionate drama that touches the hearts and emotions of audiences.
Twenty One Pilots Fills In Discography With ‘Trench’
Twenty One Pilots returns to form after their previous album ‘Blurryface,’ with the newest release, ‘Trench,’ but doesn’t meet the high bar the band has set for itself.
‘Big Mouth’ Returns with Raunchy Self-Awareness
Nick Kroll’s ‘Big Mouth’ returns to Netflix for its second season with all of the puberty-riddled raunchy humor and relatable self-awareness of the first season.
Matt Nathanson Misses Mark in ‘Sings His Sad Heart’
Matt Nathanson aims high but misses the mark in lyricism, sound, emotion, and style with his new album, ‘Sings His Sad Heart.’