In the ‘AHS: Cult’ episode “11/9” the social degradation comes in full force, with less parody and more extremist mimicry.
The Neighbourhood Surprise Releases Five-Track EP
‘Hard,’ the third album from California rock group The Neighbourhood shoots for a new sound, but seems to fall short.
Comedic Icon Returns to Roots in ‘Jerry Before Seinfeld’
Jerry Seinfeld returns to the comedy club to discuss his journey into the world of stand-up.
The Killers Lack Narrative, Structure in ‘Wonderful Wonderful’
‘Wonderful Wonderful’ presents a incohesive track list of psuedo-80s pop-rock songs from The Killers, and doesn’t see the narrative forest for the trees.
‘AHS: Cult’ Third Episode Asks Who Can You Trust With Your Fears
For the characters in ‘AHS: Cult’ when friends turn into foes, who can you turn to in an increasingly maddened world?
‘Stronger’ Vivifies True Struggle of Boston Bombing Victim
In an Oscar-worthy performance, Jake Gyllenhaal animates the real life bodily and spiritual struggles of a man maimed on the day of the Boston Marathon.
Angus and Julia Stone Are Better Together Than Apart in ‘Snow’
Anus and Julia Stone in ‘Snow’ epitomize the idea of strength united rather than divided as the album becomes disjointed and taxing the greater the vocal distance of the pair.
Sam Smith Deals with ‘Goodbyes,’ While Blake Shelton Deals with ‘Dogs’ in Singles This Week
Sam Smith gets back into our hearts with ‘Too Good at Goodbyes,’ Blake Shelton gets sentimental with ‘I’ll Name the Dogs,’ and a melange of artists make ‘Let Me Go’ a collaborative hit.
Foo Fighters Vivifies Rock in Worthy ‘Concrete and Gold’
Much of the Foo Fighters ‘Concrete and Gold’ effectively mixes new sounds with old while remaining sturdily based in its rock medium.
Aly and AJ Fashionably Return with ’80s Reverential ‘Take Me’ Video
After a 10 year hiatus, Aly and AJ return to the music scene with a fun and punchy video for their latest single ‘Take Me.’