CBS’s ‘The Neighborhood’ arrives in the area, seeking to analyze and joke about race relations in black suburbia.
Arts, Television, Review
‘Big Mouth’ Returns with Raunchy Self-Awareness
Nick Kroll’s ‘Big Mouth’ returns to Netflix for its second season with all of the puberty-riddled raunchy humor and relatable self-awareness of the first season.
Arts, Television, Review
‘I Feel Bad’ Feels Mediocre
CBS’s new comedy ‘I Feel Bad’ does well with diversity, but fails to develop its jokes or side character, resulting in a mediocre network show.
Arts, Television, Review
A Dose of Reality Brings ‘The Good Place’ Down to Earth
On the season 3 premiere of ‘The Good Place,’ Michael, Eleanor, Chidi, Tahani, and Jason are all sent to Earth to prove how much they’ve improved as people.
Arts, Television, Review
Witches Return as the Saving Grace of ‘AHS: Apocalypse’
Sarah Paulson, Emma Roberts, and Frances Conroy return as their ‘Coven’ characters to save the latest installment of ‘American Horror Story.’
Arts, Television
Diversity, Streaming Services Headline Television’s Biggest Night
The glamorous 70th Emmy Awards recognized numerous programs available only on streaming services, such as Netflix’s ‘The Crown’ and Amazon Prime’s ‘The Marvelous Mrs. Maisel.’
Arts, Review, Television
Plot-Heavy ‘Maniac’ Juggles Too Many Stories at Once
‘Maniac,’ starring Emma Stone and Jonah Hill, juggles several different plotlines at once, making it hard to keep up with.
Arts, Television, Review
‘AHS: Apocalypse’ Vision Stays Foggy After Smoke Clears
‘American Horror Story: Apocalypse’ ditches shallow dialogue in favor of heightened tensions in its second episode.
Arts, Television, Review
‘BoJack Horseman’ Mixes Visual and Existential Humor
For an animated show, ‘BoJack Horseman’ is exceptionally made and incorporates complex kinds of humor.
Arts, Television, Review
‘AHS: Apocalypse’ Incites More Laughter than Fear
Ryan Murphy’s ‘American Horror Story: Apocalypse’ abandons calculated horror for trite parody in its first episode.
