The contrasting elements of the ‘Succession’ theme song and the duality of the opening credit reel make for a consistent can’t-skip opening, according to Arts Editor Kaylie Ramirez.
Television, Arts, Review
‘Looking for Alaska,’ but Finding Only Tired Melodrama
Fans of John Green’s groundbreaking debut novel will be disappointed with Hulu’s shallow TV adaption.
Arts, Television, Review
‘Peaky Blinders’ Season Five Moves into Great Depression
The Shelby family struggles to survive the Great Depression in season five of the hit Netflix series ‘Peaky Blinders.’
Arts, Television, Review
‘Big Mouth’ Season Three Tackles Cancel Culture, Misogyny
The hit Netflix series ‘Big Mouth’ is back with its third season. Editors Kaylie Ramirez and Jack Miller discuss the season’s strengths and weaknesses.
Arts, Television, Review
‘It’s Always Sunny’ Adapts to the Times
‘It’s Always Sunny in Philadelphia’ returned for its 14th season with self-referential jokes and a more sensitive approach.
Arts, Television, Review
‘The Politician’ Satirizes High School Power Struggles
‘The Politician,’ Netflix’s new series, pairs the petty drama of high school with the viciousness of politics.
Arts, Television, Review
‘1984’ Needs to Recognize Demands of Modern Horror Fans
So far, ‘American Horror Story: 1984’ is an improvement from the early episodes of the previous season, but needs to do more to captivate modern horror fans.
Arts, Television, Review
‘The I-Land’ is a Poor Imitation of ‘Lost’
Netflix’s ‘The I-Land’ is a cheesy rip-off of the cult TV show ‘Lost.’
Arts, Television, Review
Stand-Up Special Gets Dragged Down by Repetitive Jokes
Gary Owen’s latest special has a variety of great bits, but is botched by an unfortunate string of repetitive punchlines.
Arts, Television, Review
‘The Spy’ Exposes Grim Realities of Espionage
‘The Spy’ depicts the harsh realities of working in espionage, even though it is also glamorous and action-packed.
