ArtsWhose Truth Can You Believe in ‘I, Tonya’? 'I, Tonya' masterfully tells the story of Olympic figure skater Tonya Harding, but leaves the viewer questioning the truth of it all.
Movies‘Just Getting Started’ Can’t End Soon Enough 'Just Getting Started' ends up bogged down by multiple plotlines and the desire to be multiple movies at the same time.
Arts‘Faces Places’ Explores the Temporality of Mankind In her new documentary 'Faces Places,' Agnès Varda explores humanity and the stories of various people from behind a camera.
Arts‘Deep’ Settles on Shallow Knock-Off Status 'Deep,' a new children's movie on Netflix, plumbs the depths of bad animation and poor plot.
Arts‘My Friend Dahmer’ Presents Unsettling View of Eventual Serial Killer 'My Friend Dahmer' examines the adolescence of the prolific serial killer, Jeffrey Dahmer, and his experiences in high school.
ReviewFranco’s ‘Disaster Artist’ Hilariously Depicts Making of the Worst Movie Ever Director and star of the film James Franco exhibits superb character development and endless humor, but leaves viewers underwhelmed at times.
Arts‘The Shape of Water’ Highlights Aspects of Humanity, Breaks Preconceptions 'The Shape of Water' provides a realistic glimpse into 1960's society and teeters between the mystical and the deeply, intrinsically human.
ArtsThe Cinematic Year in Review Editor Jacob Schick discusses the year in cinema, focusing on the good, the bad, and the somewhere in between in his last column of the year.
Arts‘Daddy’s Home 2’ Sires Another Terrible Christmas Comedy 'Daddy's Home 2' brings nothing to the table, aside from poor humor, bad dialogue, and the unfortunate casting of Mel Gibson.
ArtsSkeletal, Slapstick Humor Prevails in Heartwarming ‘Coco’ As a young boy chases his dreams of becoming a musician, 'Coco' honors Mexican culture and entertains audiences with a vibrant aesthetic.