‘Anora’ is a modern Cinderella story told through an overwhelming rollercoaster of emotions that will leave you shocked but begging for more.
‘Venom: The Last Dance’ is Shamelessly Itself, For Better and Worse
Venom: The Last Dance, the final installment of Sony’s Venom trilogy, maintains the comedic dynamic of its protagonists while upping the film’s stakes to new universal heights.
“We’re Going Live:” ‘Saturday Night’ is an Honest Look at Comedy Icons
The film follows producer Lorne Micheals (Gabriel LaBelle) and his crew as they prepare to air SNL live for the first time.
‘The Apprentice’ is a Political Thriller With a Message
The Apprentice, a docudrama from director Ali Abbasi, is a cutting, yet often comedic, look into Donald Trump’s rise to notoriety.
‘Joker: Folie à Deux’ Disappoints Despite High Expectations
Unlike Joker (2019), Phillips’ latest film lacks the “it” factor that pulls the audience into the dark universe of the antihero.
‘A Different Man’ Challenges the Correlation Between Beauty and Self-Fulfillment
‘A Different Man’ suggests it might take more than just looks to succeed in life, a lesson learned far too late by the film’s antihero.
‘Speak No Evil’ Leaves Frittered Potential
James Watkins’ ‘Speak No Evil’ leaves horror and psychological thriller lovers bored and unfazed.
‘Deadpool & Wolverine’ Is Fun … As Long As You Know Your Cameos
‘Deadpool & Wolverine’ offers fun while catering mostly towards Fox Marvel film fans, with its various niche references.
‘Challengers’ is a Beautiful Look at Love and Competition
Italian director Luca Guadagnino delivered an artful masterpiece about athletic and romantic entanglements with Challengers, released on April 26.
‘Dune: Part Two’ is a Cinematic Masterpiece
Director Denis Villeneuve has gone bigger, bolder, and better in the masterpiece that is ‘Dune: Part Two.’