The Boston College Fashion Club hosted its annual Met Gala this past Thursday, with the “masquerade” as the chosen theme for this year.
We Know Will Smith Slaps—But Does His Album?
Following this dramatic exit from the public eye, Smith has made an equally bold comeback, releasing his first album in 20 years: Based on a True Story.
Priddle: The Ever-Enduring Dylan
So whatever you do, don’t expect Dylan to fade into obscurity any time soon, even in these Modern Times.
“You’re Different Than I Thought…”: Bachelor Grant Ellis Slammed at the Altar for Overnight Proposal Switch-Up
Though thoroughly entertaining, this season of The Bachelor was just another reason not to trust a man you barely know.
Snow White or Joan of Arc? Disney Fails To Mold a Classic to Modern Expectations
Failing to replicate the successes of other Disney live-action remakes such as Beauty and the Beast (2017) and Aladdin (2019), Snow White will likely end up with the Cinderella (2015) treatment—forgotten and looked over.
Princess and the bOp! Moves Audience Members to Rocking and Head Bopping
Just over 15 years ago, The Princess and the Frog hit theaters as a smash-hit success and instant Disney classic. On Saturday night, the movie’s musical musings hit Robsham Theater to an equally passionate reception.
Selena Gomez and Benny Blanco’s First Collaboration is Heartbreakingly Bad
Most of the songs are not the worst on their own, but together they create just a completely average and wince-worthy album that is not worth listening to more than once—if at all.
Rosario: America vs. The Arts
This is not solely a problem in school districts, it’s a nationwide phenomenon. America doesn’t care about the arts.
‘Novocaine’: A Mad Mix of Genres That Doesn’t Quite Hit the Mark
Novacaine is undoubtedly an entertaining ride, entering unprecedented territory—the protagonist, no matter how many times he’s beaten down, stays determined with death as his only obstacle.
‘Inverness Unravels’ Situates Shakespeare in Corporate America
This modern take on William Shakespeare’s Macbeth is a metaphor for the unsympathetic ambition of corporate America.