âIâve created a masterpiece,â Julia said, shoving her headphones into my ears as we sat in Stuart Dining Hall. âYou literally cannot roast me for a single song Iâve chosen.â
I glanced at her laptop screen, initially taken aback by the rock and folk artists littered throughout the playlist. Iâd known her as a Taylor Swift-loving girl from Kansas, proud of her own pop-country roots and likely a secret Shawn Mendes fan. Instead, I found a playlist full of classicsâBob Dylan and Johnny Cash, for instanceâcoupled with indie, new wave, folk, and, of course, angsty singer-songwriters.
The first few familiar notes of King Harvestâs âDancing in the Moonlightâ begin the 10-track journey, which weaves through the 1960s, the modern day, and the many decades in between.
King Princessâ â1950,â a lament over unrequited love, is followed by Bob Dylan and Johnny Cashâs softly strummed âGirl from the North Country.â The Lumineersâ tale of a lonely and aging âCleopatraâ precedes Cat Stevensâ thoughtful and brief âThe Wind.â Juliaâs subsequent inclusion of âKansas Cityâ by The Mowgliâs, which she admits pales in comparison to their 2012 hit âSan Francisco,â exemplifies Juliaâs inability to resist an opportunity to pay homage to her home city.
The playlist is one of storytellingâof Kansas City, of young women, and of sleepless nights in the suburbs. Sheâs not trying to create any particular âvibe,â but rather curating a collection of stories, one as much about herself as it is about those who actually wrote the songs.
Julia and I had plans to camp out on the balcony of Alumni House and watch the sunset when it finally got warm in the spring. But as I write this under a shelter-in-place order in California, Julia is 1,800 miles away in Kansas City.
Perhaps this playlist could have been useful on the rooftop of Alumni, gazing out over Newton Campus and the Duchesne hill. I donât think weâll ever find out. For now, I suppose Iâll watch the California sunset, waiting on next August and more song-worthy stories to come.