From hints and listening parties to delayed releases and tracklist alterations, fans of West have anxiously awaited the album’s release.
Declan McKenna Balances Creative Sound and Commentary in ‘What Happened to the Beach?’
McKenna weaves in self-reflection and his thoughts on broader issues in new exploratory album.
The Smile’s “Wall of Eyes” Breaks From Radiohead’s Style
Radiohead has been on hiatus, but Yorke and Greenwood are back to pushing the boundaries of rock music, as they have been for 30 years.
Plain White T’s Self-Titled Album Reflects the Band’s Established Style and Explores Themes of Love and Self-Identity
After five years, Plain White T’s return with an album that continues to develop their pop-rock style.
PinkPantheress Solidifies Her Place in Pop With Her Debut Album ‘Heaven Knows’ while Exploring the Complexities of Fame and Romance
PinkPantheress makes it clear to listeners that her songs are more than just another viral TikTok sound on her debut album ‘Heaven Knows.’
AJR Shows Its Maturity in ‘The Maybe Man’
While the members of AJR have released music since their preteens, the band decided that it is time to grow up with its new album ‘The Maybe Man.’
The Struts Prove That Pure Rock Is Not Dead on New Album
In a time where pure rock and roll is starting to fade from popularity, The Struts’ fourth studio album Pretty Vicious proves that rock is not dead.
Single Reviews: Green Day, The Kid LAROI and Alec Benjamin
Green Day, The Kid LAROI and Alec Benjamin all released new singles this week.
Maisie Peters Explores New Sound and Theme of Self-Renewal on ‘The Good Witch Deluxe’
Peters is at her best when she lets her honest lyricism shine. In The Good Witch Deluxe, her lyrics don’t always hit the mark.
Single Reviews: Beabadoobee and Laufey, THE DRIVER ERA, Tai Verdes
Beabadoobee and Laufey, THE DRIVER ERA, and Tai Verdes all released new singles this week.